INDRIKIS GELZIS (LV, 1988)

Yawn Holding Fields, Tatjana Pieters, Ghent, 2022

Daily charts, Suprainfinit gallery, Bucharest (R0), 2021

Healing line, 2021, stainless steel, textile, varnish, 130 x 95 x 5 cm, unique

Bends of Disbelief, 2021, stainless steel, varnish, 42 x 27 x 3 cm, unique, installation view, Daily Charts, Suprainfinit gallery, Bucharest (RO), 2021

House of sight and memory, 2020, steel, MDF, veneer, textile, metal primer, varnish, 200 x 180 x 20 cm, unique, private collection (BE), photography: Artuur Vandekerckhove

Still life of a still life, Tatjana Pieters, Ghent (BE), 2020, photography: Artuur Vandekerckhove

Still life no. 3, 2020, steel, stainless steel, varnish, 47 x 63 x 3 cm, unique, photography: Artuur Vandekerckhove

The Floor of my figure, 2020, steel, stainless steel, steel primer, varnish, 243 x 95 x 90 cm, unique, photography: Artuur Vandekerckhove

Still life of a still life, Tatjana Pieters, Ghent (BE), 2020, photography: Artuur Vandekerckhove

The Apples of Cezanne, steel, MDF, veneer, textile, steel primer, varnish, 140 x 163 x 14 cm, unique, installation view, Figure of Everything, Castor, London (UK), 2020

Assemblage of potato, 2020, steel, MDF, veneer, 145 x 95 x 23 cm, unique, studio view, NYC (USA)

A love letter to exhaustion, 2021, stainless steel, textile, varnish, 130 x 180 x 15 cm, unique, studio view, Riga (LV)

TABLEAU, ASHES/ASHES, NY (USA), 2019

The Peach of my Eye, 2019, iron, stainless steel, rust converter, varnish, rust, acrylic spray paint, 400 x 145 x 90 cm, unique