INDRIKIS GELZIS (LV, 1988)

Yawn Holding Fields, Tatjana Pieters, Ghent, 2022

Yawn Holding Fields, Tatjana Pieters, Ghent, 2022

Daily charts, Suprainfinit gallery, Bucharest (R0), 2021

Healing line, 2021, stainless steel, textile, varnish, 130 x 95 x 5 cm, unique

Bends of Disbelief, 2021, stainless steel, varnish, 42 x 27 x 3 cm, unique, installation view, Daily Charts, Suprainfinit gallery, Bucharest (RO), 2021

House of sight and memory, 2020, steel, MDF, veneer, textile, metal primer, varnish, 200 x 180 x 20 cm, unique, private collection (BE), photography: Artuur Vandekerckhove

Still life of a still life, Tatjana Pieters, Ghent (BE), 2020, photography: Artuur Vandekerckhove

Still life no. 3, 2020, steel, stainless steel, varnish, 47 x 63 x 3 cm, unique, photography: Artuur Vandekerckhove

The Floor of my figure, 2020, steel, stainless steel, steel primer, varnish, 243 x 95 x 90 cm, unique, photography: Artuur Vandekerckhove

Still life of a still life, Tatjana Pieters, Ghent (BE), 2020, photography: Artuur Vandekerckhove

The Apples of Cezanne, steel, MDF, veneer, textile, steel primer, varnish, 140 x 163 x 14 cm, unique, installation view, Figure of Everything, Castor, London (UK), 2020

Assemblage of potato, 2020, steel, MDF, veneer, 145 x 95 x 23 cm, unique, studio view, NYC (USA)

A love letter to exhaustion, 2021, stainless steel, textile, varnish, 130 x 180 x 15 cm, unique, studio view, Riga (LV)

TABLEAU, ASHES/ASHES, NY (USA), 2019

The Peach of my Eye, 2019, iron, stainless steel, rust converter, varnish, rust, acrylic spray paint, 400 x 145 x 90 cm, unique